Unfortunately, I still don’t have a way to print the script I recommend easily. An SSD is not required, but I strongly recommend one. Storing an entire episode of DS9 in PNG files can require up to 280GB of storage and double that if you want to do a two-parter in one go. The second reason we use PNG files is that Topaz’s JPG output sometimes has visual errors that meaningfully affect final video quality. If you can afford to leave your system encoding overnight but need it during the day, you can use it to do this work in the off-hours, without needing to worry about losing a video file that was only half complete.
First, it allows you to stop and restart the encode.
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There are several reasons why I recommend outputting your video as a series of PNG files rather than video. That’s roughly 19.5 hours of upscaling per episode for the 4800U and 7-8 hours for an RTX 2080. An RTX 2080 in Topaz VEAI 2.3.0 runs more like 0.4 seconds per frame. A Ryzen 7 4800U mobile processor is capable of running the AviSynth script I’ll recommend in 3 hours, 45 minutes, and upscales one frame of video every 1.08 seconds or so on its integrated GPU. The hardware requirements are vague because they represent more of a soft floor than a hard cutoff.
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Because not everyone does, I’ll be publishing additional tutorials with advice on how to create a still-improved version of the show without requiring the same amount of GPU and CPU horsepower in the future. This is a one-stop “best fit” line, but it’s a good best-fit line if you’ve got the horsepower for it. This guide explains how to create the highest-quality version of Deep Space Nine I currently know how to create without requiring any frame-by-frame or scene-by-scene editing. While this method is not absolutely perfect - if you zoom in, you’ll see Topaz creates some subtle blue lines around the logo that don’t exist by default - but the low-visibility error (especially at an 8-foot watch distance on a TV) is far outweighed by the degree of improvement. From the beginning, I’ve promised that once I figured out a reliable enough method of performing this task to feel as if I could recommend it, I would do so. Improved color grading would help, but Seasons 1 & 2 look more like VHS tapes than DVD.īecause this is a tutorial, we’ll spend less time discussing the overall project and more time on the nuts and bolts of how you can perform this work yourself. I am willing to tolerate these acknowledged flaws in the DS9 Upscale Project because nobody I know of has had better luck repairing them. Check the output before you decide to automatically upscale these seasons.
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In many cases, these seasons may benefit more from AviSynth and QTGMC alone than the full upscale treatment. Note: I am actively looking for a better method of upscaling seasons 1-3 than the output below. This is much less of a problem after Season 2. In some cases, the green screen effect is amplified because the foreground character is so much sharper than the background. Upscalers struggle in these instances because they cannot find enough detail in the scene to lock on to and improve. I can only assume that whoever created the Season 1 & 2 DVDs really hated DS9’s pre-Dominion storyline because that holodeck background made it to disc with all the clarity of a mid-70s Playboy shoot.
The shot of Jake Sisko fishing on the holodeck in Emissary was done with a green screen whose detail transferred badly. Some of Deep Space Nine’s early special effects, especially external station shots and the credits, are in very poor condition on the DVD. While these can be improved, they still begin from a much lower baseline and benefit less. Seasons 1 & 2 are much worse than the rest of the show. Deep Space Nine’s seasons are of highly variable quality.
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